The Philippine Educational
Theater Association (PETA) utilizes the medium of theater to spread social
awareness on different issues present in today’s government to the different
regions and provinces of the Philippine archipelago.
In an interview conducted with
one of PETA’s directors, theater organizers, playwrights, actresses and
artist-teachers, Joanna Marie L. Katanyag, she expounded on the different ways
that this theater association has “uniquely” guided many Filipinos to become a
better nation as a whole.
Kantayag explains that our
Filipino culture is a banig. It is interlocked
with the many different cultures the Filipinos have adapted from its colonizers
from the Spanish era to the Japanese puppet government most especially the
strong American influence, traders and many more. All these cultures have
interlocked in what can only be called the Filipino culture. Katanyag explains
further that each strand of the banig has
its own story and influence. It is a “beautiful mess” made by the Filipino
people throughout our history.
With that type of culture present
in today’s society, Katanyag poses the question of how do we go from that banig
we have?
“Paano mo imamamaximize ang banig
natin?”
Katanyag goes on saying that the
Filipino culture does not change but rather evolves through time. This can be
seen in the fashion of the people and even in the language that has evolved
like the jejemon and the bekimon language have inevitably become
a part of the banig.
When the Filipinos see a trait
that is not a great one, the question of whether or not we must change is must
come up.
“Gusto ba natin ipagpatuloy ang
ganun klaseng kultura?” Katnyag questioned.
With the question being posed on
changing the Filipino culture, Katnayag elaborated on a different angle of
looking at theater as a medium that is not only used for someone’s stepping
stone to fame, but also a means “as a tool to educate people” and a way to make
the youth participate to make our country a better one. By doing so, PETA has
shown how they would want to spread the change it wants to present to society
in the form of creative performances and workshops.
During the different seasons of
the year for PETA’s productions, certain themes and advocacies are prepared for
each show in order to make the people aware of the different social problems
persistent in our country.
PETA’s current advocacy is
“positive discipline”. Katanyag explains that this is the advocacy of not using
physical and verbal abuse as the way of motivating the youth. PETA is helping a
bill to be passed regarding this advocacy to make it aware that abuse between
husband and wife, hazing and death penalty are not the only forms of physical
abuse.
PETA believes in a positive
environment for every Filipino youth to be able to grow, participate in the
Philippine society and become better leaders for the future of the country.
In the time of the 2009
presidential elections, PETA provided a workshop performance entitled Bagong Bilang in partner with the
National Commission for Culture and the Arts on voter education. It provided
the youth with the correct background of how to vote and the proper way of
choosing a correct leader for the country.
Katanyag explained that PETA took
the opportunity of taking an estimated total of 5 million youth in our country
and turn them into a new generation of good voters wherein she was the
director, writer and facilitator of this particular workshop.
The stimulus of this kind of
activity is a story telling scenario where in they provide a play about a young
person with no knowledge on voting and is interested in doing so. The
participants of the workshops are then incorporated into the play by pausing
for some activities and lectures.This workshop was a nation-wide
tour in the three islands of Luzon, Visayas and Mindanao to be able to reach as
much youth in the country as possible
In another instance, PETA
provided a workshop on sexuality education during the days when the congress
and the senate debated if the Reproductive Health Bill should be passed.
“Luma na ang issues ng teen
pregnancy pero hindi ibig sabihin na hindi na siya nangyayari,” Katanyag
explained regarding the reason behind the workshop. “Talamak pa rin siya kaya
gumawa kami ng workshop performance on sexuality.
This workshop tackled the
sexuality as the “whole personhood of a person”. This was inclusive of a
person’s biological functions, gender, sexual preferences and personal
identity.
Katanyag expounded that the goal
of PETA for this workshop was for a person to realize that they are made of
different aspects. With these aspects, a person must be able to think
critically in order to help not only himself but also his peers and countrymen.
In times of national calamities
such as the Typhoon Yolanda, PETA worked on a program on community risk and
disaster management entitled Padayon, An
Informance on Community-Managed Disaster Risk Reduction. Katanyag was the
writer for this particular program.
This program aims to train the
people of a community to be able to stand without the government in situations
such as this. Tools, qualities and guidelines are taught to the people in order
for them to be able to assess their area’s status during a natural disaster and
“how to manage and survive from it”.
This program was an “informance” –
information performance about community performance and disaster reduction for
time that natural calamities will hit our country. This play is currently being
shown in different areas of Palo, Leyte and is going to be shown in Tacloban
this year.
Paramdam, an interactive site-specific performance on bullying in
2014 is also an example of one of the many advocacies that PETA spreads social
awareness to specific groups of people.
Aside from informances and
performance workshops, PETA came out with a comics to advocate their advocacy
for the rights to safety zones for children. The comics was entitled A-ZONE COMICS: Si Intoy at si Miss Sulit,
Pader Issues.